We review every application as carefully, expertly and impartially as possible. Therefore, we work together with independent advisors. These are experts, such as artists, exhibition makers, critics, art historians, museum employees and others who are able to appreciate the developments of visual art and cultural heritage.
The assessment is subject to guidelines and criteria that objectify the personal views that advisors may have. In addition to quality, the most important criterion, applications are assessed for presentation, development, recognition, and professional and public scope. The assessment is established by mutual agreement between the advisors, who are asked to be generous and to look beyond their own preferences.

The Mondriaan Fund has 21 grant opportunities. Advisors cannot think along with grant opportunities that they have applied to themselves or that they have an indirect interest in. This is set down in a protocol that is signed by all the advisors.
For the formation of committees, which follows an open call, diversity is taken into account. In order to safeguard different visions and perspectives on art and heritage, membership of the committees rotates and all members are only temporarily involved with the Mondriaan Fund. In principle, an advisor is appointed for two years, with a possible extension of up to 2 years.

Chairman
Dyonna Benett
Femke Haijtema
Jorrit Kelder
Kees Zandvliet
Marisa Monsanto
Peter van der Es
Robert Jan Verhagen

Poule van advisors
Agnes Vugts
Agnes Winter
Alex van Stipriaan
Aline Thomassen
Andrea Stultiens
Anne Ruygt
Annemarie van Eekeren
Antonio Joze Guzman
Ardjuna Candotti
Arminda Franken-Ruiz
Arno van der Hoeven
Awoiska van der Molen
Barbara Visser
Bas Hendrikx
Bastiaan Steffens
Benoît Mater
Brenda Tempelaar
Bülent Evren
Carlijn Diesfeldt
Colin Huizing
Davida de Hond
Denise Campbell
Dineke Stam
Elise ’t Hart
Ellen ter Gast
Emiel van der Pol
Esther Schreuder
Eva Kleeman
Florian Weigl
Frits Loomeijer
Guus Sluiter
Iilias Zian
Inge Pollet
Jan Robert Leegte
Jasper van Es
Judith Leysner
Judith Spijksma
Julius Thissen
Koen Delaere
Lizzy van Leeuwen
Luuk Nouwen
Maaike Schoorel
Maarten Kentgens
Marc Wingens
Marco Streefkerk
Margriet Schavemaker
Marianne Eekhout
Marja Bloem
Marleen Hartjes
Maziar Afrassiabi
Michael Tedja
Michel Hommel
Mila Ernst
Milos Trakilovic
Monika Dahlberg
Najah Aouaki
Otto Snoek
Quinsy Gario
Radna Rumping
Raul Balai
Richard Kofi
Riemer Knoop
Roomyla Choenni
Sands Murray-Wassink
Sasha Dees
Sidi El Karchi
Stephanie Noach
Stijn van Genuchten
Thomas Bakker
Tirzo Martha
Youri Appelo
Yuki Kho

Advisory committee Artist Start
Anne Ruygt
Agnes Winter
Inge Pollet
Jan Robert Leegte
Judith Leysner
Judith Spijksma
Marleen Hartjes
Maziar Afrassiabi
Milos Trakilovic
Quinsy Gario
Raul Balai
Youri Appelo

Advisory committee Artist Basic
Brenda Tempelaar
Andrea Stultiens
Bülent Evren
Elise ’t Hart
Florian Weigl
Judith Leysner
Koen Delaere
Marja Bloem
Monika Dahlberg
Otto Snoek
Radna Rumping
Sands Murray-Wassink
Sidi El Karchi
Tirzo Martha
Youri Appelo

Advisory committee Artist Project
Aline Thomassen
Agnes Winter
Anne Ruygt
Awoiska van der Molen
Barbara Visser
Carlijn Diesfeldt
Florian Weigl
Jan Robert Leegte
Jasper van Es
Luuk Nouwen
Maziar Afrassiabi
Milos Trakilovic
Monika Dahlberg
Otto Snoek
Quinsy Gario
Radna Rumping
Sands Murray-Wassink
Sasha Dees
Thomas Bakker
Tirzo Martha

Advisory committee Programs Art Platform
Femke Haijtema (chairman)
Mariette Dölle
Antonio Joze Guzman
Judith Leysner
Luuk Nouwen
Jasper van Es
Robert Jan Verhagen

Advisory committee Heritage Innovation
Alex van Stipriaan
Agnes Vugts
Annemarie van Eekeren
Bastiaan Steffens
Davida de Hond
Eva Kleeman
Frits Loomeijer
Guus Sluiter
Maarten Kentgens
Marianne Eekhout
Marleen Hartjes
Mila Ernst
Richard Kofi
Roomyla Choenni

Advisory committee International Collaborative Projects with Heritage Institutes
Colin Huizing
Judith Spijksma
Maarten Kentgens
Mila Ernst

Advisory committee Art Commission
Antonio Joze Guzman Jaramillo
Aline Thomassen
Barbara Visser
Carlijn Diesfeldt
Colin Huizing
Emiel van der Pol
Eva Kleeman
Inge Pollet
Jasper van Es
Judith Leysner
Judith Spijksma
Luuk Nouwen
Maaike Schoorel
Marleen Hartjes
Najah Aouaki
Raul Balai
Thomas Bakker

Advisory committee Art Connection
Barbara Visser
Emiel van der Pol
Margriet Schavemaker
Thomas Bakker
Tirzo Martha

Advisory committee Curator Observer
Bas Hendrikx
Andrea Stultiens
Brenda Tempelaar
Ellen ter Gast
Esther Schreuder
Florian Weigl
Inge Pollet
Julius Thissen
Marja Bloem
Michael Tedja
Richard Kofi
Stephanie Noach
Yuki Kho

Advisory committee Publication
Awoiska van der Molen
Anne Ruygt
Brenda Tempelaar
Elise ’t Hart
Florian Weigl
Koen Delaere
Marja Bloem
Michael Tedja
Quinsy Gario
Sands Murray-Wassink
Youri David Appelo
Yuki Kho

Advisory committee Art Heritage Presentation
Agnes Winter
Agnes Vugts
Alex van Stipriaan
Ardjuna Candotti
Arminda Franken-Ruiz
Awoiska van der Molen
Bas Hendrikx
Bastiaan Steffens
Colin Huizing
Davida de Hond
Denise Campbell
Dineke Stam
Eva Kleeman
Frits Loomeijer
Iilias Zian
Jan Robert Leegte
Koen Delaere
Lizzy van Leeuwen
Maarten Kentgens
Marianne Eekhout
Marleen Hartjes
Raul Balai
Richard Kofi
Roomyla Choenni
Sasha Dees
Stijn van Genuchten
Thomas Bakker

Advisory committee International Art Presentation and International Art Fair
Antonio Joze Guzman Jaramillo
Andrea Stultiens
Barbara Visser
Colin Huizing
Jan Robert Leegte
Jasper van Es
Luuk Nouwen
Maaike Schoorel
Margriet Schavemaker
Maziar Afrassiabi
Milos Trakilovic
Stephanie Noach
Tirzo Martha

Advisory committee Acquisition Programs
Barbara Visser
Bas Hendrikx
Colin Huizing
Maaike Schoorel

Advisory committee Collection Mobility
Agnes Vugts
Annemarie van Eekeren
Judith Spijksma
Marc Wingens
Mila Ernst

Selection committee
Amal Alhaag
David Bade
Mirjam Pragt
Steven ten Thije
Katja Weitering (chairman)

To avoid (the impression of) conflicts of interest, a protocol has been formulated that will be signed by advisers. Advisers cannot advise on schemes for which they have themselves submitted an application. In addition, it will be examined whether an adviser has an indirect interest in the applications being processed (for example, as a curator or a member of an institution’s advisory council, or as a relative of the applicant).