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The Mondriaan Fund is the public fund for visual art and cultural heritage. All grant opportunities and activities are clustered in seven platforms, ranging from talent development to international presentations.
Talent development
Applications
Stipendium Emerging Artists
Stipendium Established Artists
Project Grants Artists (including support linked to the corona crisis)
Project Grants Intermediaries (including support linked to the corona crisis)
Artist-in-Residency Grants
Open Call Artists with a Refugee Background (closed)
Activities
Mentoring
Prix de Rome
Prospects
Award for the Young Art Critic
Vital Dutch Collection
Applications
Individual Acquisitions
Acquisition Programs
Collection Reallocation and Decollecting
Cultural Heritage Preservation
Activities
Acquisitions
Stimulating markets
Applications
Participation International Art Fairs
Participation International Art Book Fairs
KunstKoop for Galleries
Activities
KunstKoop
Fonds Kwadraat
voordekunst
Pilot CineCrowd
Collaborations
Applications
Museum Collaborations
International Collaborative Projects with Heritage Institutes
De Verbeelding
Activities
The Museum Collaboration Platform
Orientation trips
Regional Agents
Interdisciplinary projects
Commissions
Applications
Commissioning Contemporary Art
Activities
Overview commissioned art projects
DHAPS
Presenting & programming
Applications
Project Grant Institutes
Multiannual Programming Museums and other Heritage Institutes
Art Platform Programming Grants
Experimental Regulations (closed)
Publications
Mobile Heritage Grant (closed)
Mobile Heritage Restoration Grant
Activities
Beeldbepalers
Dutch Masters
International presentations
Applications
International Presentations
Activities
Venice Biennale
Visitors Program
Pilot: Istanbul Biennial (closed)
Mapping International Activities
Which Grant applies to me?
publications
Essays
Other publications
In the media
Contact
Calendar
My Fund
Faq
Faq covid-19
nl
en
Lecture
Lecture Yvette Mutumba at Framer Framed
Lecture
Speech Birgit Donker at opening Geography of Time by Fiona Tan