Atelier Néerlandais

Fiona Lutjenhuis

Fiona Lutjenhuis is an artist who brings personal memories, imagination and archival research together in a symbolic and often dreamlike visual language. Her work is rooted in her childhood in a religious community in Brabant, the impact of which can still be felt in her exploration of faith, power, identity and the human need to find meaning.

Working across painting, drawing, installation and sculpture, she creates fictional worlds in which the earthly, spiritual and extraterrestrial come together. By interweaving personal experiences with mythology, esotericism and collective narratives, she investigates how memories are formed, rewritten and passed on. Lutjenhuis studied at ArtEZ University of the Arts in Arnhem and held a residency at the Rijksakademie van Beeldende Kunsten (2022–2024). Her work has been presented at the Stedelijk Museum Amsterdam, the Noordbrabants Museum, 1646 and the Dordrechts Museum. In 2024, she was nominated for the Scheffer Kunstprijs. 

Part of The Space Between Breaths

Portrait Fiona Lutjenhuis. Photo: Natascha Libbert

Fiona Lutjenhuis, Van een mooi bord kun je niet eten / La beauté ne se mange pas, 2026. Wall painting painted with casein and pigments. Dimensions variable. Courtesy of the artist and Galerie Fleur & Wouter Photo: Pauline Assathiany

About Van een mooi bord kun je niet eten, 2026 & Sky Burials, 2024

Fiona Lutjenhuis creates layered, spiritual fantasy worlds featuring complex patterns, floating creatures and unsettling landscapes. She grew up in a cult, where religious beliefs and supernatural tales shaped her imagination. Van een mooi bord kun je niet eten (You can’t eat off a pretty plate, 2026) refers to selective mutism, an anxiety disorder in which a person is afraid to speak in certain social situations. In her youth, Lutjenhuis felt silenced: she was expected to adopt the beliefs of others, whilst her own voice was disregarded. The laid table, viewed from above, refers to moments when she dissociated and felt as though she were floating above the table. The painting Sky Burials (2024), which lies on the laid table, depicts the stories about the end of days that were told during family meals. Air and breath take on a special significance here as the link between the earthly and the supernatural, where bodies can ascend and the boundaries between life and death blur.