Dutch Entry 59th Venice Biennale
- Artist: melanie bonajo
- Curatorial team: Orlando Maaike Gouwenberg, Geir Haraldseth and Soraya Pol
- In collaboration with designer Théo Demans
- Location Dutch pavilion: Chiesetta della Misericordia in Venice
melanie bonajo (lowercase, they / their) is a Dutch artist, filmmaker, certified sexological bodyworker and somatic sex coach. The new work, specially commissioned for the Biennale Arte 2022, is part of their ongoing research into the current status of intimacy in our increasingly alienating, commodity-driven world. For bonajo, touch can be a powerful remedy for the modern epidemic of loneliness. bonajo will be working with a curatorial team consisting of Maaike Gouwenberg, Geir Haraldseth and Soraya Pol. In collaboration with designer Théo Demans, bonajo is creating an immersive video installation that will draw visitors into a perspective-altering environment. The visitors’ sensory awakening will help them to reflect on the meaning of touch and intimacy in relation to their own bodies. bonajo says:
“With this project we want to reprioritise the body as a vehicle for connection and safety, cultivating touch and friendship as a form of activism. Feeling is a form of intelligence; thinking through touch.”
The choice of the jury
A broad-based international jury selected bonajo from a long list of artists and curators who had applied to take part in earlier versions of the biennale. Those selected were invited to submit an overall plan. After the plans were presented to the jury, it was unanimous in determining that melanie bonajo would be representing the Netherlands. In making its choice, the jury considered, among other things, the quality of the work and the impact it will have on the international stage of the Venice Biennale. The jury is confident that bonajo can deliver a presentation that impresses and inspires.
Members of the jury for the Dutch contribution to the 2022 Venice Biennale are: Kate Bush (curator Tate Modern), Stijn Huijts (director Bonnefantenmuseum), Hicham Khalidi (director Jan van Eyck Academy), Franziska Nori (director Frankfurter Kunstverein), Ugochukwu-Smooth Nzewi (curator MoMA – Museum of Modern Art, New York), Fatos Üstek (director Liverpool Biennale), Rieke Vos (curator Het HEM), and non-voting chairperson Eelco van der Lingen (director Mondriaan Fund).
Location of the Dutch pavilion in 2022
For the upcoming edition, the Mondriaan Fund has decided to break with tradition and present the Dutch entry at a new location, the Chiesetta della Misericordia of Art Events, a deconsecrated 13th-century church in Cannaregio. The Mondriaan Fund has meanwhile invited Estonia to make use of the Rietveld Pavilion for the 2022 Venice Biennale. The Mondriaan Fund officially handed over the Rietveld Pavilion to Estonia in November 2021. Director Eelco van der Lingen is delighted:
‘An exciting artist in an exciting location. The Chiesetta della Misericordia is a splendid building in the middle of the city. I am looking forward to seeing how that relates to the splendid work of melanie bonajo.’
Would you like to read more about the different approach of the Dutch entry for the Venice Biennale in 2022?
About melanie bonajo
melanie bonajo makes films about the development and connections between intimacy, technological progress, stigmatization around gender and equality, feminism, ecology and feelings of alienation. In experimental documentaries, bonajo uses humour and staged situations in order to highlight communities that find themselves in the margins of society, through cultural exclusion or illegality. These films are presented in installations designed in close collaboration with designer Théo Demans. In addition, bonajo creates books, performances, music and events. Her plans for her presentation in Venice will be further developed and finalized in the coming months.
melanie bonajo’s work has been presented at Palais de Tokyo in Paris (2019), Stedelijk Museum Amsterdam (2019-20), Bonnefantenmuseum in Maastricht (2018), Riga International Biennale of Contemporary Art (2018), Frankfurter Kunstverein (2017) and the Tate Modern in London (2017).
The Mondriaan Fund
The Mondriaan Fund, the public fund for visual arts and cultural heritage in the Netherlands, is responsible for the Dutch entry to the Venice Biennale. The presentation is financed from the international budget which the fund receives from the Dutch Ministry of Education, Culture and Science.
For the Netherlands’ contribution to the 59th Venice Biennale in 2022, a radically new procedure was decided on, unlike the open calls used in previous years. Following the 2022 Venice Biennale, the Mondriaan Fund will examine the various options available and develop a new procedure for the future.